Adobe illustrator cs4 arrow free.Illustrator CS4 Shortcuts: PC
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Adobe illustrator cs4 arrow free.Illustrator CS4 Shortcuts: Mac
Adobe illustrator cs4 arrow free.Adobe Illustrator CS4 Keyboard Shortcuts for PC
Adobe illustrator cs4 arrow free - Learning to use Adobe’s tools for creative people
But if code isn't clean, it can bring a development organization …. Skip to main content. Start your free trial. Book description This title includes additional digital media when purchased in print format. Show and hide more. Table of contents Product information. Getting to Know the Work Area Getting started Understanding the workspace Working with the Tools panel The Control panel Working with panels Using panel menus Resetting and saving your workspace Changing the view of artwork Viewing artwork Using the view commands Using the Zoom tool Scrolling through a document Navigating multiple artboards Arranging documents Document groups Using the Navigator panel Finding Resources for using Illustrator Searching for a topic in Help Checking for updates Exploring on your own Review questions Review answers 2.
Selecting and Aligning Getting started Using the Selection tool Using the Direct Selection tool Creating selections with a marquee Creating selections with the Magic Wand tool Grouping items Adding to a group Working in isolation mode Selecting similar objects Applying selection techniques Advanced selection techniques Aligning objects Aligning to a key object Aligning points Distributing objects Aligning to the artboard Exploring on your own Review questions Review answers 3.
Creating and Editing Shapes Getting started Creating a document with multiple artboards Working with basic shapes Accessing the basic shape tools Creating with shapes Outlining strokes Working with line segments Joining paths Using the Eraser tool Combining objects Working with Pathfinder effects Working with shape modes Using Live Trace to create shapes Exploring on your own Review questions Review answers 4.
Transforming Objects Getting started Working with artboards Adding artboards to the document Editing artboards Transforming content Working with rulers and guides Scaling objects Reflecting objects Rotating objects Distorting objects Shearing objects Positioning objects precisely Changing the perspective Using the Free Distort effect Making multiple transformations Exploring on your own Review questions Review answers 5. Drawing with the Pen and Pencil Tools Getting started Creating straight lines Creating curved paths Building a curve Converting curved points to corner points Creating the apple illustration Creating the arrow Splitting a path Adding arrowheads Drawing curves Selecting a curve Drawing the leaf Drawing different kinds of curves Convert between smooth points and corner points Drawing the apple shape Editing curves Deleting and adding anchor points Drawing with the Pencil tool Editing with the Pencil tool Finishing the apple illustration Assembling the parts Painting the artwork Exploring on your own Review questions Review answers 6.
Color and Painting Getting started Understanding color Color modes Understanding the color controls Creating color Building and saving a custom color Editing a swatch Using Illustrator swatch libraries Creating a spot color Using the Color Picker Creating and saving a tint of a color Copying attributes Creating color groups Working with the Color Guide panel Editing a color group Editing colors in artwork Working with the Kuler panel Assigning colors to your artwork Adjusting colors Painting with gradients and patterns Using patterns Creating your own pattern Applying a pattern Editing a pattern Working with Live Paint Editing Live Paint regions Exploring on your own Review questions Review answers 7.
Working with Type Getting started Working with type Creating point type Creating area type Importing a plain text file Creating columns of text Understanding text flow Working with overflow text and text reflow Threading text Resizing type objects Formatting type Changing the font size Changing the font color Changing additional text attributes Changing paragraph attributes Saving and using styles Creating and using a paragraph style Creating and using a character style Sampling text Reshaping text with an envelope warp Wrapping text around an object Creating text on paths and shapes Creating text outlines Exploring on your own Review questions Review answers 8.
Working with Layers Getting started Creating layers Moving objects and layers Locking layers Viewing layers Pasting layers Creating clipping masks Merging layers Applying appearance attributes to layers Isolating layers Exploring on your own Review questions Review answers 9.
Blending Shapes and Colors Getting started Working with gradients Creating and applying a linear gradient Adjusting the direction and angle of a gradient blend Creating a radial gradient Changing colors and adjusting the gradient Applying gradients to multiple objects Adding transparency to gradients Working with blended objects Creating a blend with specified steps Modifying the blend Creating smooth color blends Exploring on your own Review questions Review answers Applying Appearance Attributes and Graphic Styles Getting started Using appearance attributes Editing and adding appearance attributes Reordering appearance attributes Adding an additional stroke and fill Using graphic styles Creating and saving a graphic style Applying a graphic style to an object Applying a graphic style to a layer Applying existing graphic styles Adding to an existing graphic style Applying an appearance to a layer Copying, applying, and removing graphic styles Exploring on your own Review questions Review answers If you move a path so that an enclosed painted area becomes unpainted, Illustrator doesn't remember that the region was filled with a color prior to the edit.
Moving the path to its original position will not bring back the fill; you'll need to reapply the fill color. Once you've created a Live Paint group, however, you may find that you want to add paths or shapes to the group. To do so, draw the new paths, and use the Selection tool to select the existing Live Paint group and the new paths. The new paths will become part of the group, and any intersecting areas will act as individual areas that you can fill with color.
Live Paint groups can also use the isolation mode feature that enables you to draw objects directly in existing groups. Using the Selection tool, double-click an existing Live Paint group to enter isolation mode, indicated by a gray bar that appears across the top of the document window. Now switch to any shape or path tool to add paths directly to the Live Paint group Figure 4. This ability to add paths directly to a Live Paint group is extremely powerful because it allows you to define regions for color in just a few quick steps.
Using Pathfinder filters to create multiple overlapping shapes is no longer required for such tasks. Exit isolation mode by pressing the Escape key. You can use the Live Paint Bucket tool to color multiple regions with a single color in one step by clicking one region and dragging the pointer across additional contiguous regions.
It's important to understand that the geometry of the paths themselves define the paintable regions. So if you wanted, you could set the stroke attributes for the additional paths to none Figure 4. When using the Live Paint Bucket tool, you can press the Shift key to toggle between painting the fill and painting the stroke. In the Tools panel, double-click the Live Paint Bucket tool to change its behavior.
By default, the Live Paint Bucket tool affects only the fill of a path, but you can also set the tool to apply color to strokes as well Figure 4. These boxes represent swatches that appear in the Swatches panel, and when the Live Paint Bucket tool is active, you can press the arrow keys on your keyboard to select a color swatch.
This allows you to choose colors and quickly fill areas without having to return to the Swatches panel. Additionally, you can specify the color that the Live Paint tool uses to highlight closed regions. Unfortunately, the Live Paint feature doesn't work with paths that have brush attributes applied.
If you do try to turn paths with brushes into a Live Paint group, the appearance of the brush will disappear, leaving just the appearance of the stroke. The exception to this rule is Illustrator's new Blob Brush, covered later in this chapter. Until now, all the regions you were filling with color were completely closed. But what happens if your paths don't exactly meet each other? That's where the Gap Detection feature can really make a difference. If you don't have any Live Paint groups selected when you choose this option, the settings you pick become the default settings for all new Live Paint groups.
You can specify different gap options for each selected Live Paint group in a document as well. With Gap Detection turned on, you can specify that paint will fill areas containing small, medium, or large gaps Figure 4. Additionally, you can specify an exact amount for how big a gap can be before Live Paint considers it an open area instead of a closed one. Illustrator previews gaps in the selected color, and you can also have Illustrator fill any gaps in an object with physical paths Illustrator always uses straight paths to do so.
Live Paint groups can be expanded, at which time they behave like ordinary vector paths. The appearance of an expanded Live Paint group remains identical to the original, but it is split into multiple objects for both fills and strokes.
This is similar in concept to expanding live effects. The Live Trace feature in Illustrator can quickly convert traced vector art into Live Paint groups for easy coloring. Refer to Chapter 12, "Working with Images," for more information. From a production standpoint, you don't need to expand Live Paint groups in order to prepare a file for print.
Live Paint groups print perfectly, because Illustrator performs the necessary expansion of paths at print time similar to live effects. Whereas expanding a Live Paint group results in objects being broken up in order to preserve appearance, releasing such a group preserves the geometry of the original paths, but the appearance or colors are lost.
If you have several separate Live Paint groups, you may want to combine them to edit them as one entire group. You can do so easily by selecting the different groups and clicking Merge Live Paint in the Control panel. Just note that for Live Paint groups that consist of many complex paths, the Gap Detection feature impedes performance. You may experience better performance by splitting very large Live Paint groups into several smaller ones or by turning off Gap Detection.
When working with Live Paint groups, you can use both the Direct Selection tool to edit the individual paths and the Live Paint Selection tool to edit, giving you the best of both worlds. Live Paint allows you to apply attributes—such as fills and strokes—to paths based on their appearance as opposed to their actual makeup. It would be even nicer if you could actually edit your paths based on appearance as well, don't you think?
Adobe was apparently reading your mind and added another tool to the mix—the Live Paint Selection tool Shift-L —that enables you to select portions of objects based on their appearance Figure 4.
You'll notice that you can select each segment of the line individually. What were two paths before are now four line segments Figure 4. If you have two overlapping shapes in a Live Paint group, you can select the overlap and delete it Figure 4. You can also double-click to select continuous areas of similar attributes and triple-click to select similar attributes across the entire Live Paint group.
At the end of the day, Live Paint adds a more flexible way to color and edit paths, and it also adds more value to the Pencil tool, because complete closed paths aren't required.
The important point to remember is that a Live Paint group is a group, and anything you can do with a group in Illustrator you can do with Live Paint groups as well. For example, you can add attributes such as strokes to the Live Paint group for interesting effects. Experimenting with the Live Paint feature certainly helps you when you're editing paths, and the good news is that it's a fun feature to use.
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